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Barrass, S. (2005). A perceptual Framework for the Auditory Display of Scientific Data. Canberra, Australia: University of Canberra.

Bauck, J., & H. Cooper, D. (2002). Developments in Transaural stero . IEEE. Minneapolis: IEEE.

Braasch, J., Peters, N., & Valente, D. L. (2008). A loudspeaker-based projection technique for spatial music applications using Virtual Microphone Control. Computer Music Journal , 32 (3), 55-71.

Corteel, E., & Caulkins, T. (2004). Sound scene creation and manipulation using Wave Field Synthesis. IRCAM. Paris: IRCAM.

Cullen, C. (2006). The Sonic Representation of Mathematical Data. Doctoral Thesis, Dublin Institute of Technology, Dublin.

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Hermann, T. (2008). Taxonomy and definitions for Sonification and Auditory Display. International Conference on Auditory Displays – ICAD. Paris: Faculty of Technology, Bielefeld University .

Ibrahim, A. A., & Hunt, A. (2006). A general HCI framework of Sonification applications. International ACM ACM SIGACCESS. New York.

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Kemp, J. (2011). Image Source Reverberator. Edinburgh, Scotland: University of Edinburgh.

Kemp, J. (2011). Matlab Schroeder Reverberator. Edinburgh, Sctoland: University of Edinburgh.

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Morville, P. (2004). A brief history of information architecture. In A. Gilshrist, & B. Mahon, Information Architecture, designing information environments for purpose. London, UK: Facet Publishing.

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Peters, N. (2010). Sweet (re)production: Developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception. Doctoral Thesis, McGill University, Montreal.

Peters, N. (2009). ViMiC – Virtual Microphone Control for Max/MSP. Jamoma.

Peters, N., Ferguson, S., & McAdams, S. (2007). Towards a Spatial sound Description Interchange Format (SpatDIF). CIRMMT, Montreal.

Peters, N., Lossius, T., Schacher, J., Baltazar, P., Bascou, C., & Place, T. (2009). A stratified approach for sound Spatialization. Sound and Music Computing Conference. Porto.

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Pulkki, V. (2001). Spatial sound generation and perception by Amplitude Panning Techniques. Helsinki University of Technology, Helsinki.

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Stefani, E., & Mooney, J. (2009). Spatial composition in the multi-channel domain: Aesthetics and Techniques. International Computer Music Conference. Montreal.

Stern, R. M., Wang, D. L., & Brown, G. (2006). Binaural Sound Localization. In D. L. Wang, & G. Brown, Computational Auditory Scen Analysis. New York, UEA: IEEE Press.

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Vogt, K. (2008). Sonification and particle physics. Karl-Franzens-University; University for Music and Dramatic Arts, Theoretical Physics; Electronic Music and Acoustics, Graz.

Walker, B. N., & Kramer, G. (2006). Auditory Displays Article xx: Sonification. Georgia Institute of Technology, School of Psychology and College of Computing. Atlanta: Georgia Institute of Technology.

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Zhou, Z. H. (n.d.). Sound localization and virtual auditory space. Toronto: University of Toronto.

 

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